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You've selected:
Feu follet
Sheetmusic to print
9 sheet music found
<
1
Feu Follet (the "spook" light)
Feu Follet (the "spook" light)
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Isadar
#
Feu Follet
#
Mainya Music Publishing
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.820795 Composed by Isadar. 20th Century,Concert,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) ...
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Piano Solo - Level 4 - SKU: A0.820795 Composed by Isadar. 20th Century,Concert,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #6072587. Published by Mainya Music Publishing (BMI) (A0.820795). Contains:Feu Follet (the 'spook' light) - taken from the Isadar solo piano collection, Active Imagination (also available on SMP)
$5.99 ≈
5.59€
Liszt : Études d'exécution transcendante - n° 5 Feux follets
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Piano solo
#
ADVANCED
#
Classical
#
Studies
#
Liszt
#
Études d'exécution transcend
#
Tomplay
Téléchargez la partition Piano Études d'exécution transcendante - n° 5 Feux follets de Liszt. Partition pour Piano seul -- ...
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Téléchargez la partition Piano Études d'exécution transcendante - n° 5 Feux follets de Liszt. Partition pour Piano seul -- Classique
3.99€
Feu follet
Feu follet
#
Piano solo
#
ADVANCED
#
Contemporary
#
1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
#
Zellev Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79 ≈
3.54€
The Devil's Etude
The Devil's Etude
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Piano solo
#
ADVANCED
#
Ho Jie Rong
#
The Devil's Etude
#
Ho Jie Rong
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1011294 Composed by Ho Jie Rong. Contemporary,Instructional,Standards. Score. 16 pages. Ho Jie Rong #5794109. Published b...
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Piano Solo - Level 5 - SKU: A0.1011294 Composed by Ho Jie Rong. Contemporary,Instructional,Standards. Score. 16 pages. Ho Jie Rong #5794109. Published by Ho Jie Rong (A0.1011294). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan.About The Devil's EtudeI composed this etude for piano solo in October 2019. I was inspired by a few piano master pieces. They are mainly Robert Schumann’s Toccata in C, Op. 7, Franz Liszt’s Transcendental Etudes no. 5 (Feux Follets) and also Ligeti’s L'Escalier du diable. I also quoted the Gregorian chant Dies Irae and varied it in the middle section of this piece. ** There is an error in the metronome marking in the second section. It should be Allegretto (1 quaver beat= 70) and NOT (1 crotchet beat = 70).The Devil's Etude is dedicated to my friend Chan Shu Hui.
$6.00 ≈
5.60€
Franz Liszt - Transcendental Etudes, Part 1 - 5 Feux Follets
Franz Liszt - Transcendental Etudes, Part 1 - 5 Feux Follets
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Franz Liszt
#
Patrizia Luraschi
#
Franz Liszt - Transcendental E
#
NOWO
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.974921 Composed by Franz Liszt. Arranged by Patrizia Luraschi. Instructional,Romantic Period,Standards. Score. 24 pages. ...
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Piano Solo - Level 3 - SKU: A0.974921 Composed by Franz Liszt. Arranged by Patrizia Luraschi. Instructional,Romantic Period,Standards. Score. 24 pages. NOWO #6642861. Published by NOWO (A0.974921). New note assignment for the two hands. Wide beat spacing. Rhythmic accuracy improvements. Writing of the embellishments in full. Score optimized for live performances. Accurate metronome indications. Elegant graphics.
$2.99 ≈
2.79€
Feux follets
Feux follets
#
Guitar
#
INTERMEDIATE
#
Contemporary
#
Erik Marchelie
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Feux follets
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Composed by Erik Marchelie. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4224. Published by Les Productions d'OZ - Digital...
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Composed by Erik Marchelie. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4224. Published by Les Productions d'OZ - Digital
$5.95 ≈
5.55€
Throwing The Dice
Throwing The Dice
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Piano solo
#
ADVANCED
#
Contemporary
#
Isadar
#
Throwing The Dice
#
Mainya Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pag...
(+)
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Throwing The Dice"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)
Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)
Album & Songbook Review by: Kathy Parsons
I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar?s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.
The first three tracks are lively and upbeat (?Active Imagination?, ?Throwing the Dice?, and ?Where the Wild Things Are?) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on ?Wild Things? is infectious.
From there, the mood seems to gradually darken and become more introspective. ?Waiting? is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar?s cover of Liz Story?s ?Wedding Rain? is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar?s interpretation of the piece seems right without being a carbon-copy of Liz?s recording.
?Feu Follet (the ?spook? light?)? has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. ?Uncertainty? is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. ?Love Chaconne? is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a ?chaconne?). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.
Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!
Active Imagination Sheet Music Collection is the companion songbook to Isadar?s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of ?Wind and Wire? magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.
One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, ?Throwing the Dice,? ?Where the Wild Things Are,? and ?Feu Follet (the ?spook? light).? ?Waiting,? ?Love Chaconne,? and ?Uncertainty? are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story?s ?Wedding Rain,? but the sheet music for that song is available in some of Ms. Story?s own collections.
Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.
If you haven?t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.59€
Waiting
Waiting
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Isadar
#
Waiting
#
Mainya Music Publishing
#
SheetMusicPlus
Piano Solo - Early Intermediate - Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 page...
(+)
Piano Solo - Early Intermediate - Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Waiting"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)
Album & Songbook Review by: Kathy Parsons
I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar?s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.
The first three tracks are lively and upbeat (?Active Imagination?, ?Throwing the Dice?, and ?Where the Wild Things Are?) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on ?Wild Things? is infectious.
From there, the mood seems to gradually darken and become more introspective. ?Waiting? is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar?s cover of Liz Story?s ?Wedding Rain? is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar?s interpretation of the piece seems right without being a carbon-copy of Liz?s recording.
?Feu Follet (the ?spook? light?)? has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. ?Uncertainty? is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. ?Love Chaconne? is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a ?chaconne?). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.
Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!
Active Imagination Sheet Music Collection is the companion songbook to Isadar?s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of ?Wind and Wire? magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.
One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, ?Throwing the Dice,? ?Where the Wild Things Are,? and ?Feu Follet (the ?spook? light).? ?Waiting,? ?Love Chaconne,? and ?Uncertainty? are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story?s ?Wedding Rain,? but the sheet music for that song is available in some of Ms. Story?s own collections.
Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.
If you haven?t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$6.99 ≈
6.52€
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Feu follet
